Posts Tagged ‘Electronic Music’

Friday 7th July 2017: Gig 1: Sketchy Beats Cafe, Edinburgh
Thursday 12th July 2017: Secret Gig: video preview party, Dunfermline

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Summer has arrived and we have a brand new video to share with you all soon.
We’re all booked up with summer shows in Paris and London, and have even booked in a couple of shows at this year’s Edinburgh Fringe Festival.

First show of this year’s summer season was at Sketchy Beats Cafe’s The Hip Hop House; a great run by WERD (SOS) on two levels.
Downstairs there is hip-hop sets and battles whilst upstairs it is live bands & singer-songwriter sessions… we were on upstairs and played a low-key guitar/vocal set featuring a new cover we’ve been working on recently.
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It’s always a great night with a wide range of acts, all in support of the community run space in Leith, Edinburgh.
Hayley G (Devils in Skirts) were also playing and they provided the wee PA, mixer, mic stands etc.
We only managed to see a wee bit of their set (as we were both busy the next day with boring work stuff and aimed to catch the last bus home), but they were  sounding tight and as always the crowd were loving their set.

Then after a couple of days sorting out tracks for the aways shows we found time to rehearse with guitarist Phil at ColorSound studios.
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Finally, we took a trip over to Dunfermline to have a little preview party / gig for the under 18’s who’ve been involved with the new video.
A good friend and promoter (Cob) helped with the venue, PA / lights etc. and the kids brought friends and family along to check out their work.
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5 of our under 18’s are the ASDS senior dance troupe who we filmed for way back at the start of May ’17.
The other two are fantastic young actresses & models who are friends of the SN family.

We had a lovely evening sharing the video as well as some behind the scenes footage and images. We also played a wee live gig for the kids which they seemed to enjoy and think we may have made a few new fans in their parents too.

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UP NEXT:
At the end of May we spent some time finishing the filming for our final music video and we’re having the launch party at Bannerman’s Bar, Edinburgh on Saturday 22nd July 2017 with very special guests Heart Of Orion (USA) and CaveYear (Edinburgh). `

Sacre Noir / Heart of Orion / CaveYear – Event Link

They say never meet your heroes (or heroines) but in June we did just that and could not have had a better time if we were trying.
Chrysta Bell arrived in Edinburgh for two nights at The Voodoo Rooms as part of her ‘We Dissolve’ tour and Sacre Noir were honoured to be the support act for both shows.

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For those who don’t already know Chrysta Bell, let me introduce you to the most enigmatic lady I’ve ever met.
Having spent the last 17 years working closely with David Lynch (a huge inspiration for everything we do with Sacre Noir), Chrysta Bell and her band are now promoting a new LP filled with lo-fi lush soundscapes, polished musicianship and stunning vocals.

“As background atmospheric sounds play through the PA, Bell takes to the stage, tall, elegant and mysterious. Immediately, she holds the attention of the audience. Some singers have excellent technical voices, while some performers have real presence. Bell combines both, in one, gorgeous package.” – Kenny Mathieson @ http://theweereview.com/review/chrysta-bell/

The Voodoo Rooms is a beautiful venue in the heart of Edinburgh (just off Princes Street), and although we have played in their smaller Speakeasy venue a few times in a previous musical life (Guantanmo Bay band circa 2006), we have never had the pleasure of playing in their main ballroom before.
“Lavishly decorated in blacks, golds and reds, The Voodoo Rooms is making the most of the neo-burlesque and retro chic movements currently in vogue and attracts a young and hip clientele as a result.” – Edinburgh Spotlight (2009-17)

As this was a really important gig for us, our friends and collaborators came out to support.
On both evenings Erin Culley re-created the make-up/styling from our forth-coming video. There are 2 looks in the new video ‘Rebels & Loners’, one pure and the other dark… we went for the striking black scatter eye with long vintage gown and black feather cape.

#SNY was also on hand both evenings to  provide some video / photo / social media support. As always it was a joy working with him (and great to catch up after his recent succesful debut exhibition of portrait photography).
He really a fantastically creative individual, who we are extremely lucky to count amongst our friends and supporters. Responsible for our Listen To Me video & promotional images for 2015, he set up our first ever Sacre Noir Facebook Live videos (some of these may have been about chips… I did say he was ‘individual’ and that’s why we love him!) and too some captured some fab images during both evenings.

We treated these gigs as our own ‘pre-tour warm up’ shows and tried out the new duo set-up (acoustic guitar, loop vocals with the Boss VE-20 and samples / fx from the Korg Kaoss Pad 3+).
You can check out a live video from the set on our YouTube channel.
YouTube_Print Message Here live @ The Voodoo Rooms

The audience on both evenings were very positive and the feedback was lovely. Most common comment was “the electronic stuff was really cool”… so I think we’ll add a few more looped tracks to the set for some of the London & Paris shows.

Chrysta’s set on both evenings was inspirational.
The band are super talented (Jon Sanchez – guitar, Christopher Smart – bass / theremin, Jayson Altman – drums) and apparently just finding their feet with their live show (I’d love to see what their version of perfection is if it’s not the show they gave us in Edinburgh).
We were treated to tracks from both previous LPs written and recorded with David Lynch (This Train & Somewhere In The Nowhere) as well as tracks from her brand new LP (We Dissolve) and even an unreleased track called “Undertow” – think Wicked Game with lush female vocals and a bit of a sultry beat.

The new LP ‘We Dissolve’ has been produced by John Parish who is known for his work with PJ Harvey & features Adrian Utley of Portishead & Stephen O’Malley from Sunn O))), so you can see why we were keen to pay attention during these shows; we’re always learning ‘on the job’ and this was a show where I feel I learned a lot!
Stagecraft, live production, style and songwriting, set delivery and so much more; it really was a masterclass as far as I’m concerned & I feel honoured to have been part of these very special nights.
I think one of my favourite tracks was “Monday”: here’s a link to her playing it live exactly 1 month after her 2nd night at The Voodoo Rooms.

These will be nights that will live long in our memories – #catchingthebigfish

SIDE NOTE: Chrysta Bell’s website is beautiful and well worth checking out

Sacre Noir & Chrysta Bell

 

 

It has been a wonderful start to 2017 as far as music goes here at SNHQ.

Feb. 2017
VIDEO published on 8 Feb 2017Too Dark to See by Sacre Noir live at Au Chat Noir

March 2017
VIDEO published on 1 Mar 2017 – Untitled by Antonia Alexandra Klimenko with Sacre Noir live at Au Chat Noir

Released March 31, 2017
1st EP of remixes by h.honda & corner of alternating (dejine:rec), UVBeatz and D.Soul the Soulsamurai.


All tracks copyright sacre noir / savage recordings 2017.
All original versions of tracks available on the Sacre Noir LP Nothing Falls Apart (Savage Recordings / 2016).

April 2017
Phil became a dad! Abigail arrived in April and mum, dad and baby are doing well!
All out love to the family Lock

VIDEO published on 27 Apr 2017 – Ovejas Eléctricas – Sin Título

Gig on 29th April at Henry’s Cellar Bar supporting Vinna Bee alongside CC Bloom presented by Mellow Promotions.

May 2017
VIDEO published on 21 May 2017Sacre Noir ‘A Rhythm Between Work & Sleep’ music video / behind the scenes

May 28th – filming of Rebels & Loners video @ The Wee Theatre, Edinburgh.
Special thanks to:
Stylist Erin Culley & Lorraine C for make-up assistance.
Our acting team Emma & Niamh, Lyndsey & Aimie – you all did an amazing job!
The team at ASDS (Lauren B – choreography, Callum F – admin, Gavin – general support and the senior dance troupe Sarah M, Sarah P, Kenzie, Francesca & Dana)
Release date is set for 22nd July at Bannerman’s bar, Edinburgh – details on the Facebook page.
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Released May 31st, 2017
A second EP of remixes by HYS, sonarr and Sonic (all dejine-rec) plus the Savage Sound System.

All tracks copyright sacre noir / savage recordings 2017.
All original versions of tracks available on the Sacre Noir LP Nothing Falls Apart (Savage Recordings / 2016).

 

Monday 1st August 2016
Nothing Falls Apart – official release

So it has been 4 yeas since the release of the last Sacre Noir LP ‘Sinking Into Darkness’ and in that time we have written, recorded and thrown away enough material for several new records… always stuff we felt was ‘quite right’ and so here we are 4 years later with what we think is the best Sacre Noir record to date.
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This is going to be Sacre Noir’s final album and we’ve decided to do the physical releases as a limited edition wooden USB drive (100 copies). The drive features wave files and mp3s of the album, plus hand written lyric sheets, set list, press releases and photos.
We’ve had the idea for a few years and it’s really exciting to see the final product!
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The USB is available online from bandcamp & savage recordings or Elvis Shakespeare in Edinburgh & New Hellfire Club in Glasgow.
It’s also available to download / stream from iTunes, Spotify, Deezer & Bandcamp.
We’re very proud of the outcome & feel each track tells its own story as well as being part of the whole record.
SNNothingFallsApartPressReleasePlease do check it out and let us know what you think.

Here’s the video’s for the tWo singles to come from the LP
From last month ‘A Rhythm Between Work & Sleep’

Inspired by a line in a George Orwell book, this track has had loads of support since it’s release in July 2016 from radio plays and youtube views.
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The lyrics were built around this quote and Erin did an amazing hair & make up job within the 1930’s inspiration (very different from her usual work with Sacre Noir). Location is key & our venue, The Biscuit Factory, was a perfect fit for our look and the music.

And from last year ‘Listen To Me’ – filmed by MeltedBeetle

“In the span of just 2 minutes, the group present us with a ridiculously catchy tune with fantastic lyrics and a captivating rhythm that appears to have a subtle touch of old school blues. In addition, Carrie’s harmonies are stunning and the riffs are remarkable, only picking up with every passing moment. Nothing short of excellent.” Small Music Reviews
 

Friday 29th July 2016
Gig 8: The Monarch Bar, Dunfermline with Acoustic Live

After a lovely relaxing day to celebrate Alexis’s birthday, we woke up early with a spring in our step. It felt just like being on tour with a few delightful exceptions; getting up in our own house, in our own bed & with our own shower and washing machine etc. – living out of a bag for even just 3 weeks makes us realise how readily we take for granted the luxuries of modern living and how lucky we are.

Tonight we have a Sacre Noir first and must say ‘thanks’ to the good folks at Acoustic Live for inviting us to play their monthly event in Dunfermline! We don’t often do acoustic gigs as it doesn’t really reflect ‘Sacre Noir’ or our ‘lo-fi electro’ aspirations, but the organisers of this event are great so we decided to take them up on the offer and arrange some of the songs for a simple guitar / vocal set for our first ever performance in Dunfermline.
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Cob & Fiona who run Acoustic Live, have certainly got an ear for talent. First up was Micha Sutherland, a local lass who they discovered at one of the other event nights that they run in Dunfermline and invited her along to perform at this showcase event. Micha, sang a couple of covers (Emilie Sande & Adele) and a couple of her own numbers (one upbeat & one ballad), she has a cracking voice and I think would go down really well in the nightclubs in Edinburgh.
Next up was the mighty talents of Sophie De Rose; at only 15 years old she has her own country-pop style sounds going on and is definitely one to watch out for in the future. She confidently sang and played (guitar) her way through a set of covers that really suited her voice and told you that this young lady had taste beyond her years.
Sacre Noir played next; our debut Dunfermline performance was supported by the local crowd and quite a few members of ASIF (a choir I run in Dunfermline). We owe you all a big ‘thanks’ – the support really was superb and one of the talented choirettes also took some fantastic pics… thanks Sara T.
IMG_7169The tracks seemed to go down well, in a trippy / shoegaze type way and it was a great excuse for us to play a country cover, my favourite track by Patty Griffin ‘You Never Get What You Want’.

The final act of the evening was 3 piece covers band Half Built House.
Playing classics by REM and White Stripes the crowd loved them and it was the perfect way to finish off the event, with people singing along and dancing at their tables.
I can’t recommend these nights highly enough­; a great selection of talent, promoters that really care about live music and a nice wee function room in a local bar.

Saturday 30th July 2016
In preparation for the new LP release Alexis completed the redesign of the savage recordings website & updated the BandCamp page with back catalogue.
It really does take many-a-man-hour to keep that side of stuff running smoothly and Alexis is the man that makes it all happen for Sacre Noir (not just a pretty face and talented drummer, songwriter and producer).

Sunday 31st July 2016
Today is the last Sunday before the Edinburgh Fringe 2016 kicks off.
Went out for coffee at or favourite café, Art & Vintage trying to make the most of having weekends off during the summer holidays.
The circus is in town.
IMG_7195Tomorrow is a big day!
Nothing Falls Apart
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Thursday 21st July 2016
Gig 7: The Troubadour, London with Whetherman & Harrison Bond

We had an amazing night playing at the iconic London venue, The Troubadour.
It was everything I love in a music establishment – organised & friendly. It really is an amazing venue and deserves all the plaudits that come it’s way. The staff were warm and welcoming. Our sound engineer (Stacey) was fantastic; here’s a man who knows his stuff (he was great at advising on my set-up and the electronic drum kit balance, suggesting that I tweaked the level of FX to allow more of the lyric to be heard– not something I’ve not heard before, but for some reason his advice sat well with me) and that Alexis tweaked the kick drum volume to provide more of a ‘thump’… no wonder people say it’s the best sounding room in London.
Our support acts for this event were fantastic!
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Whetherman (the first act up) is the moniker of 31-year-old folk singer-songwriter Nicholas Williams, who has released six studio albums and 1 live album. His lyrics are poetic, his voice is soulful and he is a thoroughly nice chap.
He explains each song before playing, introducing the audience to his world & process – very insightful and honest which I found endearing.
I especially liked the final song in his set ‘Ghosts in the Water’ a fantastic modern Americana sound. On record it features the beautiful female vocal sounds of Rachel Murray.
https://www.youtube.com/watch?v=FhX3oMmn49U
Nick had played in Edinburgh last year at Henry’s Cellar Bar & he had nothing but great things to say about his experience there. I thought this was really sweet and felt a little pang of pride that ‘our’ city had shown him such a lovely time during his visit.

Harrison Bond was next up, a 21-year-old multi-instrumentalist from Milton Keynes who wins the prize for ‘best rock ‘n’ roll name of an act we’ve played with this summer’.
His biggest influence is Lana Del Ray and this was evident most in the final song of his set ‘Honey’ (a beautiful modern ballad which showed off his vocals style and delivery perfectly). I really enjoyed his set; regional accent, looped guitar & beats, melancholic lyrics and an almost shy stage presence – he’s definitely one to watch out for in the future. https://soundcloud.com/harrisonbond/honey-rough-demo

Finally, it was our turn to delight The Troubadour crowds.
We played a 50-minute chilled trip-hop style set which mainly included material from the new LP, but also covered tracks from Demo Recordings III, Her Volatile Condition & Sinking Into Darkness. The stage sound was great and from the audience reaction it was great out front too. Our bass sounds were phat and the change to my vocal FX were clearly effective (generating a bigger shift between the Mini Kaoss Pad AKG mic and the KP3+ Green Bullet mic – as I said, our sound engineer Stacey clearly knows his stuff).
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We were very pleased to have our good friends Keith & Marijana in the audience for this show. It’s been a long time since they have seen us play live and as fellow musicians (The Penny Black Remedy) we were keen to get their thoughts on the new material and LP.
It’s always lovely to have friendly faces in the crowd and there can’t be too many folks that are more friendly than these two. Taking time out of their busy schedules to make time for us was much appreciated and it meant we got to spend some time chatting about their news & the progress of future PBR releases too.

Monday 18th July 2016
Today we took a trip out to Montrouge (a pretty little village in the southern suburbs of Paris) and then a relaxing afternoon at the Parc Montsouris. It was the warmest day of the tour so far, and at 35 degrees for most of the day we tried to find some shaded areas.
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Montrouge is a growing commuter town with a number of lovely local shops and cafes.
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Parc Montsouris is one of four large urban public parks in Paris. The others are Bois de Boulogne and two of our favourite places in the city, the Bois de Vincennes and the Parc des Buttes Chaumont. Parc Montsouris may be a new spot to add to our ‘favourite places’ list as it was beautiful and calm despite being popular and pretty busy.
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That evening we ate at Samsara before taking in more of the local area (bars, parks and views).
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Paris really is a beautiful city and even with a large section of the population struggling to survive amongst the rich and beautiful, the growing concerns about racial hatred and the recent attacks on their way of life, the atmosphere is open and friendly, warm and welcoming and I hope to spend more time living in this fantastically inspiring place.
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Street Art 75011, Paris 2016

Tuesday 19th July 2016
Our last full day in Paris started with a trip to Au Pain et des Idees (another fantastic patisserie recommended in Paris, My Sweet by Amy Thomas).
IMG_7130 The choice was incredible; fresh breads and tarts adorned the display cases and baskets inside this old-fashioned looking bakery, but it was the original flavor combinations that excited me the most; Le croissant au thé Matcha & à l’eau de rose looked beautiful and the choices seemed endless. We were greeted with a big smile and made our decisions; Alexis opted for L’escargot chocolat pistache & I decided that the Pain au chocolat et almond was the one for me. We took our treats to a nearby bench overlooking Canal Saint Martin and savoured the moment. Flakey, buttery, rich and decadent – another excellent recommendation.

We couldn’t resist one final stop at Belushi’s Canal as this is where Sacre Noir first found our feet on the non-Scottish gig circuit. The view from the terrace is one of my favourites in Paris and the staff are always so lovely. All along the canal, workers were preparing for this year’s Paris Plage; installing zip-wires and sand-pits, showers and pop-up bars and cafes for the locals to enjoy, but right at that moment it was probably one of the most serene spots in Paris.
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Wednesday 20th July 2016
Time to say goodbye to my favourite city, before heading back to the UK.
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We met with a family friend for morning coffee and as always it’s great to spend time with friends who we don’t get to see very often.
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The Eurostar back to London was running late due to the previous night’s vandalism and over-crowding at passport control (to be fair to the Eurostar staff, if people had completed their boarding / landing cards before getting to security, things might have moved along a little quicker). Regardless, we were only delayed by half an hour and arrived safely in London before the evening rush hour really kicked in.
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We made our way to our hotel (Earls Court Garden Hotel; great location but a little noisy as our room seemed to back on to the Underground line), got changed and headed out for coffee and something to eat.

Our first stop was Café du Coin (it only seemed right to try to extend our Parisian experience for as long as possible) – a lovely café at the end of our street which serves salads and simple plates as well as coffee and pastry treats. We settled for coffee before making our way to GBK for some very fine veggie burgers, milkshake, fries, onion rings and elderflower presse. Both the food & service were really very lovely and despite being a chain restaurant the atmosphere was relaxed and not dis-similar to an independent diner (if such a thing still exsists).

We had a good walk around Earls Court & then it was time for bed.
Everything seemed a little strange, waking up in Paris & going to sleep in London, but we definitely felt excited knowing we had a great gig lined up the following night at The Troubadour.